‘Sir Duke’ is one of Stevie Wonder’s biggest hits and was recorded for his 1976 double album Songs in the Key of Life. The song was written as a tribute to jazz musician Duke Ellington, although the lyrics also contain references to Count Basie, Glenn Miller, Louis Armstrong and Ella Fitzgerald.
The bassline for this song was recorded by Stevie Wonder’s long-term bassist Nathan Watts, who still tours with him to this day. Although Nathan likely recorded the song in his favoured tuning of Eb-Ab-Db-Gb, the line does not depend on open strings and therefore works equally well in standard tuning. It sounds as though Nathan used a Fender Precision bass on the original recording, so using a similar instrument will get you close to his recorded tone.
When learning this piece, you might find the following courses (all included in the monthly subscription cost) useful:
A transcription (with TAB and without) is available for this course. To download it, please visit the Free Stuff page.
This course is 43 MINUTES long and contains the following videos, each of which can be selected from the video player above:
This video is a demonstration of the song performed on a Fender Custom Shop ’67 Precision bass strung with stainless steel Rotosound strings.
This video contains an overview of the song and the challenges it presents, as well as offering some advice on choosing the right instrument and tone for a piece like this.
This video contains an overview of the song and the challenges it presents, as well as offering some advice on choosing the right instrument and tone for a piece like this.
This video covers the first verse, which features a simple root-fifth-octave line that is played over the chord progression that was established during the intro.
This lesson covers the bridge section of the song. This part has a simple root-based line, although with a very cool twist.
This video covers the song’s first chorus section, which has an interesting chord progression and some very tasty bass licks.
This lesson covers the song’s famous unison line section, which is also played by the bass. You’ll be venturing into the upper register here.
This short video covers the second verse. The bass part here is essentially the same line as the one from the first verse, although with some simple variations.
This lesson covers the remaining chorus sections of the song, focusing on the fills and variations that are heard during these parts.