‘Don’t Fret’ is an eighties pop track that was written to represent Pino Palladino’s fretless and effects work with artists such as Paul Young and Gary Numan. Like many of Pino’s lines from the era, much of this part is played in the middle, or upper registers of the instrument, with an octave pedal used to double the line in the lower register.
Although this video tutorial was filmed using a fretted bass, it was written to be played on a fretless (the original audio was recorded with a fretless). This is a very lyrical, melodic line that provides a lot of opportunity for individual expression. Many instances of vibrato are notated in the transcription, and if you’re playing a fretless bass with the recommended effects pedals, you’ll probably find that these decorations come naturally. You should also feel free to add your own decorations and put your own stamp on the line.
If you enjoy working through this piece, you might also find the following courses useful (Access to ALL of our courses is included in the subscription cost):
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This course is 35 MINUTES long and contains the following videos, each of which can be selected from the video player above:
This video is a full demonstration of 'Don't Fret', performed on a Music Man Sterling SUB bass strung with stainless steel Rotosound strings.
This video gives a brief overview of this piece and the challenges that it presents. Advice on instrument choice, effects and tone is also included here.
This section acts as a ‘verse’. When playing this line, close attention should be paid to slurs, vibrato, and other decorations. This lesson covers bars 1-16.
This ‘bridge’ section features many phrases that are played in the upper register. This lesson covers bars 17-24 in the accompanying transcription.
This section is the ‘chorus’ and features some upper register arpeggio-based lines that can be very tricky to play on a fretless bass. This lesson covers bars 25-32.
This ‘second verse’ section is based on the line from the A section, but there are several variations that are very indicative of Pino’s playing. This lesson covers bars 33-40.