This track was written to represent virtuoso bassist Michael Manring, an artist who has always been very successful in combining multiple techniques into one seamless performance. This is one of the main challenges with this piece. Although Michael’s extensive use of multiple tunings is not reflected here (something that would be very difficult to achieve without a Zon Hyperbass) this piece nevertheless contains many of the techniques that he commonly uses, such as palm muting, slapping, strumming and two handed tapping.

Don’t forget to hit the Download Resources button above to get the PDF transcription and the audio files for this piece (available to subscribers only).

This course contains the following videos, each of which can be selected from the video player above: