Mixolydian Mode Study Piece #1
When learning to play a mode all over the fingerboard, it’s also important to put it to use in some actual lines, so that you can hear it in action. This piece – which is based on the G Mixolydian mode – will enable you to become comfortable with using the mode, whilst giving your fingers a good workout at the same time! In this video course I’ll be talking you through the G Mixolydian mode and which chord it works with. I’ll then be breaking this piece down, section by section, and showing you how to play it.
Don’t forget to hit the Download Resources button above to get hold of the PDF transcription and the audio files for this piece (available to subscribers only).
This course contains the following videos, each of which can be selected from the video player above:
1 – Mixolydian Study Piece #1
This video is a demonstration of this study piece, performed on a Jaydee Supernatural bass.
2 – Overview of the G Mixolydian Mode
In this video I’ll be talking about the G Mixolydian mode, focusing on its distinguishing features and discussing which chord to play it with.
3 – A Section
In this video we’ll be working through the opening section of this piece. The bass plays a melodic line here, written to clearly illustrate the sound of the Mixolydian mode. This lesson covers bars 1-4.
4 – B Section
This lesson covers the B section, which is built on a busy slap bass groove that very clearly outlines the sound of the mode. There are some classic Mixolydian fills in this line. This lesson covers bars 5-8.
5 – C Section
The C section of this piece is a second slap groove that features some upper register chordal ideas and a cool fill using the open-hammer-pop technique. This lesson covers bars 9-14.
6 – D Section
In this video we’ll be working through the final section of this piece. This part is built on the line from the B section, but with an alternate ending. This lesson covers bars 15-19, bringing the piece to a close.
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