This piece has a heavier feel to it and was written as a resource for practising sixteenth note-based slap grooves at slow tempos. When playing slapped parts at higher tempos, the fretting hand tends to share the burden, but when playing slower, it’s more common for the thumb to handle the bulk of the work. Keeping good, steady time when playing continuous sixteenths with the thumb can be a real challenge, as you’ll discover. This piece also makes use of popped double stops and has a strong focus on dynamics too.
For bassists who wish to learn the piece but require additional assistance with some of the techniques required, the following course (included in the monthly subscription cost) should prove useful:
Don’t forget to hit the Download Resources button above to get the PDF transcription and audio files for this piece (available to subscribers only). The transcription is available with TAB and without, for those who wish to give their reading skills a workout.
This course is 42 MINUTES long and contains the following videos, each of which can be selected from the video player above:
This video is a demonstration of the piece, performed on a Fender Custom Shop ’67 Precision bass strung with stainless steel Rotosound strings.
This video gives an overview of the main challenges in this study piece. It also offers some advice for finding the right instrument and tone for lines like this.
The line in this section is a busy sixteenth note part with popped double stops marking the chord progression. This lesson covers bars 1-8 in the transcription.
This lesson covers the four-bar interlude at letter B. This is a relatively simple slap line that relies on precise control of dynamics to be effective. This video covers bars 9-12.
In this video I’ll be demonstrating the C section, which features a melodic bass part. This lesson covers bars 13-20 in the accompanying transcription.
This lesson covers the D section, which features a busy bass part that has a repeating popped figure played over changing bass notes. This video covers bars 21-26.
This section is the guitar solo. The piece moves into a double time feel here, with the bass playing a busy but supportive line. This lesson covers bars 35-42.
This lesson covers the G section, which features an extension of the line that was played back at letter D. This lesson covers bars 43-50.
This final section is a repeat of the main riff from letter A, but with an ending tagged on. This lesson covers bars 51-61 in the transcription.